Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s’amuse by Victor Hugo.
- 1 Which of the following wrote the play that was the source of Verdi’s inspiration for Rigoletto group of answer choices?
- 2 Which of the following characterizes La Donna Mobile from Verdi’s Rigoletto?
- 3 Which of the following were leading composers of the Italian opera?
- 4 What composer’s musical language was based on chromatic harmony?
- 5 Who wrote La Traviata Rigoletto and Aida?
- 6 Who was Puccini influenced by?
- 7 Who composed La Donna Mobile?
- 8 Who wrote the first opera source?
- 9 Who composed opera?
- 10 Who wrote most operas?
- 11 Who explored the used of chromatic harmony?
- 12 Who was the founder of German Romantic opera?
- 13 Who introduced new ideas in harmony and in form chromaticism?
Which of the following wrote the play that was the source of Verdi’s inspiration for Rigoletto group of answer choices?
Based closely on the controversial 1832 play Le Roi s’amuse (The King Amuses Himself; also performed in English as The King’s Fool) by Victor Hugo, Verdi’s opera was nearly kept off the stage by censors.
Which of the following characterizes La Donna Mobile from Verdi’s Rigoletto?
Which of the following characterizes “La donne e mobile” from Verdi’s Rigoletto? It is in strophic form.
Which of the following were leading composers of the Italian opera?
Italian libretti remained dominant in the classical period as well, for example in the operas of Mozart, who wrote in Vienna near the century’s close. Leading Italian-born composers of opera seria include Alessandro Scarlatti, Vivaldi, and Porpora.
What composer’s musical language was based on chromatic harmony?
Wagner pushed major-minor tonality to extreme limits with his style of chromatic harmony.
Who wrote La Traviata Rigoletto and Aida?
Giuseppe Verdi, in full Giuseppe Fortunino Francesco Verdi, (born October 9/10, 1813, Roncole, near Busseto, duchy of Parma [Italy]—died January 27, 1901, Milan, Italy), leading Italian composer of opera in the 19th century, noted for operas such as Rigoletto (1851), Il trovatore (1853), La traviata (1853), Don Carlos
Who was Puccini influenced by?
His writing was influenced by two nineteenth-century operatic giants – Verdi and Wagner. Like Wagner, Puccini often uses musical ideas – leitmotifs – to denote characters or ideas.
Who composed La Donna Mobile?
The song is in strophic form with an orchestral ritornello.
Who wrote the first opera source?
In Florence, a small group of artists, statesmen, writers and musicians known as the Florentine Camerata decided to recreate the storytelling of Greek drama through music. Enter Jacopo Peri (1561–1633), who composed Dafne (1597), which many consider to be the first opera.
Who composed opera?
The composers included in all 10 lists cited are: Berg, Britten, Donizetti, Gluck, Handel, Monteverdi, Mozart, Puccini, Rameau, Rossini, Richard Strauss, Verdi, and Wagner. The composers included in nine of the lists are: Bellini, Berlioz, Bizet, Glinka, Gounod, Lully, Massenet, Mussorgsky, and Tchaikovsky.
Who wrote most operas?
George Frideric Handel, creator of 44 operas, is the indisputable record holder — and there would have been even more if audiences in Handel’s adopted London had not lost their enthusiasm for opera.
Who explored the used of chromatic harmony?
In his opera Tristan und Isolde (1857–59) Wagner developed a continuously chromatic harmonic vocabulary in which the music frequently progressed toward new keys yet repeatedly postponed key-strengthening cadences.
Who was the founder of German Romantic opera?
Romanticism—part philosophical, part literary, and part aesthetic—made its first appearances in opera in three works composed between 1821 and 1826 by Carl Maria von Weber.
Who introduced new ideas in harmony and in form chromaticism?
Wagner’s later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century.